SEX POSITIONS (KAMASUTRA) : Indian Vedic Teachings Of Sex

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Johann Jakob Meyer (1989). Sexual Life in Ancient India: A Study in the Comparative History of Indian Culture. Motilal Banarsidass (Orig: 1953). pp.229–230, 240–244, context: 229–257 with footnotes. ISBN 978-81-208-0638-2. Archived from the original on 7 December 2016 . Retrieved 22 November 2018. Devi, Chandi (2008). From Om to Orgasm: The Tantra Primer for Living in Bliss. AuthorHouse. p.288. ISBN 978-1-4343-4960-6. Archived from the original on 16 January 2017 . Retrieved 15 November 2015. Pathbreaking and original, Indian Sex Life establishes the central place of deviant female sexuality in discussions about Indian society in a range of disciplines. Departing from other studies about prostitution in the subcontinent, this valuable work makes significant contributions to the literature on colonial India and to the voluminous writings on gender and sexuality in South Asia. It will compel global scholars of sexuality to question their existing assumptions."—Douglas E. Haynes, Dartmouth College

According to Doniger, the historical records suggest that the Kamasutra was a well-known and popular text in Indian history. This popularity through the Mughal Empire era is confirmed by its regional translations. The Mughals, states Doniger, had "commissioned lavishly illustrated Persian and Sanskrit Kamasutra manuscripts". [98] Flood, Gavin (1996). An Introduction to Hinduism. Cambridge: Cambridge University Press. ISBN 0-521-43878-0.

Finding many lovers, deploying messengers, the need for them and how to find good go-betweens, getting acquainted, how to make a pass, gifts and love tokens, arranging meetings, how to discretely find out if a woman is available and interested, warnings and knowing when to stop Wendy Doniger (2016). Redeeming the Kamasutra. Oxford University Press. p.16. ISBN 978-0-19-049928-0. Archived from the original on 21 December 2019 . Retrieved 20 November 2018. Wendy Doniger & Sudhir Kakar 2002, pp.3–27 (Book 1), 28-73 (Book 2), 74–93 (Book 3), 94–103 (Book 4), 104–129 (Book 5), 131-159 (Book 6), 161-172 (Book 7).

Ruchir Joshi, editor of Electric Feathers, had once said that many writers had "outright rejected" the idea to contribute to the erotica anthology, dismissing it as "porn writing". One of the things that sets the Indian category apart from other categories is the authenticity of the content. Our performers are real Indian men and women who are passionate about their craft. You will feel like you are experiencing a real-life encounter with these performers, making the experience that much more exciting.Wendy Doniger (2011). "The Mythology of the Kāmasūtra". In H. L. Seneviratne (ed.). The Anthropologist and the Native: Essays for Gananath Obeyesekere. Anthem Press. pp.293–316. ISBN 978-0-85728-435-8. Archived from the original on 9 January 2022 . Retrieved 26 November 2018.

During the colonial period in India, European scholars, British officials, and elite Indian intellectuals—philologists, administrators, doctors, ethnologists, sociologists, and social critics—deployed ideas about sexuality to understand modern Indian society. In Indian Sex Life, Durba Mitra shows how deviant female sexuality, particularly the concept of the prostitute, became foundational to this knowledge project and became the primary way to think and write about Indian society. Durba Mitra, PhD is an assistant professor of women's, gender, and sexuality studies at Harvard University, and author of Indian Sex Life: Sexuality and the Colonial Origins of Modern Social Thought. a b Dharma, The Columbia Encyclopedia, 6th Ed. (2013), Columbia University Press, Gale, ISBN 978-0-7876-5015-5

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Book 3 of the Kamasutra is largely dedicated to the art of courtship with the aim of marriage. The book's opening verse declares marriage to be a conducive means to "a pure and natural love between the partners", states Upadhyaya. [77] It leads to emotional fulfillment in many forms such as more friends for both, relatives, progeny, amorous and sexual relationship between the couple, and the conjugal pursuit of dharma (spiritual and ethical life) and artha (economic life). [77] The first three chapters discuss how a man should go about finding the right bride, while the fourth offers equivalent discussion for a woman and how she can get the man she wants. [77] The text states that a person should be realistic, and must possess the "same qualities which one expects from the partner". It suggests involving one's friends and relatives in the search, and meeting the current friends and relatives of one's future partner prior to the marriage. [77] While the original text makes no mention of astrology and horoscopes, later commentaries on the Kamasutra such as one by 13th-century Yashodhara includes consulting and comparing the compatibility of the horoscopes, omens, planetary alignments, and such signs prior to proposing a marriage. Vatsyayana recommends, states Alain Danielou, that "one should play, marry, associate with one's equals, people of one's own circle" who share the same values and religious outlook. It is more difficult to manage a good, happy relationship when there are basic differences between the two, according to verse 3.1.20 of the Kamasutra. [78] Intimacy and foreplay Wendy Doniger (2016). Redeeming the Kamasutra. Oxford University Press. p.19. ISBN 978-0-19-049928-0. Archived from the original on 21 December 2019 . Retrieved 20 November 2018. The title story, “The Quilt,” tells the story of a young girl who is forced into marriage at a young age to an older man. So, my friend, whether you totally identify as a Samantha or are just trying to figure out what an orgasm feels like, there’s never been a better time to waste a few hours reading...and then test out your newfound knowledge between the sheets.